Currently reading
Death at Devil's Bridge
Charles and Kate Sheridan are back investigating murder, this time at a motorcar show and balloon race that Charles has been strong-armed into hosting. I found the journey in this book to be more entertaining than the solution. The look at the early years of the auto industry is entertaining-- maximum speed is a rollicking twelve miles per hour. Speed demons abound! This series also features cameos by historical figures: in this one we get a version of the first meeting between Charlie Rolls and Henry Royce. I've never managed to figure out why Charles puts up with his friend's car mania and irresponsibility, but that gives us the plot of the book, and it is entertaining enough.
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The Bride's Kimono
Rei Shimura is back solving antiques-based mysteries. This time she is a courier for antique kimono from a Tokyo museum to an exhibition in Washington. Rei discovers that the collection includes Kimono belonging to a courtier's wife and mistress. One of the kimono is stolen, a Japanese woman goes missing, and Rei has to try and preserve her reputation in the antiques community. The appearance of an ex-boyfriend adds to the drama.
I really enjoy this series. It is smart and enmeshed in the Tokyo art world. That said, that fact that the police are not involved in this fiasco is absolutely unbelievable. So too was the interaction on the airplane that puts Rei in contact with the murder victim.
2
What to Look for in Winter: A Memoir in Blindness
Ugh, this book took forever to get through. It sounds like it should be fascinating. McWilliam suffers from a rare condition that produces functional blindness-- her eyes can see but her eyelids are unable to open. This condition arrived in middle age, a particularly cruel affliction for a person who lived her life in the world of books. Sudden blindness is a painful blow for a writer and reader.
I expected this to be a memoir about dealing with blindness, but it really is not. This is a memoir that seems to be simultaneously about everything and nothing at all. McWilliam covers the entirety of her life, and jumps around throughout. The memoir is written in stream-of-consciousness format, and the tone is depressing. Certainly McWilliam has experienced difficult and tragedy. Her mother committed suicide, and McWilliam is a recovering alcoholic. Still, the tone is terribly woeful. I've read plenty of memoirs about horrible things, and this one is particularly depressing. Much of the author's time is spent analyzing her relationships with her ex-husbands.
All of this said, McWilliam is quite a writer. She has some beautiful turns of phrase. Her technical writing ability is quite amazing. But this memoir is completely inaccessible. The writer seems to have little awareness of the benefits she reaped from growing up among the intelligentsia. I love the literary world in which McWilliam lives, but I found this memoir to be dull, slow going.
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Beyond the Narrow Gate
This book is the story of the author's mother and three of her classmates. Leslie Chang's mother and her family fled to Taiwan during the Cultural Revolution. There she attended Taipei's most elite girls' school. These schoolgirls dreamed of winning scholarships to study in the United States. Four of them managed to do so, but found that life in the United States was not what they had hoped. Marginal colleges were more like finishing schools than serious universities, and none of the women were ever particularly comfortable in their lives in the United States.
Normally I enjoy this sort of book, but I found this one lacking. I felt like the author had difficulty treating her mother as objectively as her other subjects. I found the writing to be, for lack of a better term, tiresome. The author regularly puts thoughts into the heads of her subjects. The book is long-winded, and the chapters seem to ramble on without organization. Some more serious editing might have made this book better. In any case, there are much better books about the immigrant experience and about Asian-American identity.
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Pyongyang: A Journey in North Korea
This is an odd book. It brings together the graphic novel and North Korean austerity. Canadian animator Guy Delisle spent time in North Korea, which has apparently become the new favored source for cheap animation labor. In this book Delisle captures the absurdities of life in Pyongyang, more through pictures than through words. Only one floor of Delisle's massive hotel has electricity, there's bizarre and uninspired food, and minimal recreation activities. Delisle brings a copy of 1984 with him, and North Korea is certainly an Orwellian society.
I think I would have found this book more effective if I didn't really know anything about North Korea. There's nothing really surprising here. I enjoyed Delisle's drawings, but I felt like there was too much drawing and not enough narrative. I think I'd have preferred an art exhibit to a book. Ultimately the book lacks depth, and the illustrations don't make up for what the writing lacks.
I love figure skating. I love mysteries. I should have loved this so much more. I found it dull and ponderous. I found Bex annoying. I really think the door is open for someone to write a good figure skating mystery. This isn't it.
Plumbs the depths of the soul, by dealing with such hard-hitting questions as:- Why don't you like my dead mouse?- Why won't you play with me at 3 am?- Why is faucet water so much better than cat dish water?- How could you bring a new kitten into our house?- What do you mean, quit clawing those curtains?They're easier to ask when it's literature.
In the network of basement shops that serve Brooklyn's neighborhoods, Sima Goldner runs a lingerie shop renowned among locals for superior bra fitting. When Sima hires a young Israeli woman to be her new assistant, she begins an exciting new friendship. Timna, the new employee, reminds Sima of the opportunities and excitement of her youth. But these memories are not entirely welcome, and Sima is reminded of the disappointments of her own youth. Infertility left Sima and her husband childless, and their marriage distant. In Timna Sima sees the potential for everything she missed, and she becomes obsessed with engineering Timna's future. For Sima the relationship quickly moves beyond friendship to obsession. Her memories and her new friendship force Sima to face the problems in her marriage and her past. This novel is a study of how long problems can fester and how miscommunication can divide. Ultimately Sima's problems cannot be swept under the carpet, no matter how persistently she tries. For years Sima avoided her unhappiness by throwing her energies into her shop. When she foists her problems onto a living, breathing person, Timna, she is forced to come to terms with them. Sima herself is something of a trainwreck. The reader knows her actions are going to blow up in her face, and yet Sima is blind to the consequences. I couldn't help but cringe every time Sima berated her husband or obsessed about Timna, in this some of the reading becomes a bit uncomfortable. That said, this is a light, summer read. Despite some heavy themes, Sima is a bit to cartoonish to be a deep character. This was a quick read, and a reasonably enjoyable one.
Private Life
Moving from the late-nineteenth century through World War II, and crossing North America from Missouri to California, this novel is the story of the unhappy and increasingly distant marriage of Margaret and Andrew Early. Always an unlikely couple, the Earlys' marriage grows more troubled over time. By her late twenties Margaret was in danger of living her life as a perpetual spinster. Andrew, a troubled and headstrong scientist, dismissed in shame from his faculty position in Chicago, charms Margaret into accepting an offer of marriage when her options are few. Yet Andrew's problems loom over the marriage: mentally ill, obsessive, a conspiracy theorist, the marriage becomes a cage that holds Margaret in increasing unhappiness. This book is stark and raw. Breaking out of unhappy marriages is such a mainstay of contemporary fiction, Smiley's work serves as a useful reminder about the realities that have and do face so many women. Reality was and is frequently far more in line with Margaret's experience: decades of unhappiness, few options, with escape beyond the bounds of thought or possibility. Margaret's marriage seems to close in over time. As her existing friends and family die or move away, Andrew's increasing psychosis cuts her off from social circles. Margaret's private life becomes an increasingly tight enclosure. Margaret's is a life that belies easy solutions. Above all, this is a book about making do with what has been given, and its remarkable just how good a book about making do can be.
Amandine de Crecy, a motherless girl being raised in a convent in the south of France, is the central character in this novel set on the cusp of the Second World War. Abandoned at the convent by her birth family, Amandine is raised by the nuns and a former novitiate, Solange Jouffroi. Amandine dreams of finding her mother, and as France capitulates to the Nazis, she and Solange take to the road in search of information about Amandine's mother. Along the way they face the dangers of Nazi occupation, and are taken under the wing of the French Resistance. This is a beautifully-written book. The prose is evocative, and wonderfullly illustrative of the southern French countryside. The writing is just as beautiful as the cover art. Unfortunately the plot was not nearly so exciting. The first half of the book is nearly all descriptive. Within the walls of the convent very little happens. The plot does get decidedly better once Solange and Amandine take to the road. The pair's journey through war-torn France is suspenseful and danger-ridden. I found the discussion of the French resistance to be extremely interesting, illustrating how the secret networks operated. De Blasi gives a strong sense of the danger and uncertainty that faced all of those involved in the resistance movement: never knowing where one was headed, if one would survive, or the fate of of one's friends and family. There is no romanticizing the violence of resistance here. The second half of the book is also stronger because it's in the second half of the book that Amandine's character becomes more believable. Amandine grows up in the first half of the book, spending her first decade in the convent. Despite this significant passage of time, her speech, actions, and mannerisms fail to change along with her age. Throughout Amandine acts and speaks as though she is far older than her years. While some of that could be explained by the fact that she is surrounded by adults in the convent, her behavior and speech patterns are simply not believable until she reaches her teenage years. It's not until she grows older that I could really believe in Amandine's mannerisms.
I had heard so much about this book before reading it. This is one of those classic texts that all bibliophiles seem to read and adore, so I was thoroughly looking forward to it. Unfortunately, I was not as smitten as most readers seem to be. This slim volume chronicles the correspondence between New Yorker Hanff and the staff of an antiquarian bookstore in London. The entirety of the text is letters, as Hanff cultivates a relationship with the shop's staff, a relationship built entirely on transatlantic correspondence. The second part of the book is comprised of Hanff's memoirs of the trip she was finally able to take to London, sadly after the bookstore, Marks and Co. had closed, and after her primary correspondent had died. Certainly the the letters between Hanff and her primary correspondent, Frank Doel, are touching. The two developed quite a friendship. In the privations of the post-war London of the late-1940s and early 1950s, Hanff sent repeated care packages to the bookstore's staff, providing things completely unavailable in the United Kingdom- basics like eggs (real and powdered), oranges, and women's stockings. It return, Doel and his store provided Hanff with quite a reading list- even the most ardent of bibliophiles will likely be wowed by the density and depth of Hanff's reading list. Those elements aside, I preferred Hanff's memoirs of her time in London to the letters. I drank up her descriptions of the places, though I found it difficult to get interested in the people. In sum, while I found this book charming, it was not the amazing experience I was expecting. Bibliophiles will surely want to read it, but I'm not sure a general audience would find it engaging. In writing this, I feel like a bad voracious reader. I've missed something that makes this book a tremendous experience of other book lovers.
This novel tells the story of Patricia Dolan, a middle-aged art historian who finds herself in the midst of a mid-life crisis of epic proportions. The book opens with Dolan in the midst of a large-scale art heist, which removed a Vermeer from the clutches of none less than Buckingham Palace. Dolan is holed up in a cottage in a tiny, remote Irish Village with the stolen painting. How an American art history professor came to find herself in this situation comprises the first three-quarters of the book. The rest brings the heist to its dramatic and suspense-filled conclusion. At the outset of the book Patricia Dolan finds herself stalled in her career, divorced, and grieving the death of her daughter. She finds solace in a long-lost, decades younger cousin who tumbles into her life and becomes the other half of Dolan's torrid love affair. It's the fling with this Irish cousin who launches Dolan into an Irish Liberation plot to steal a British-owned Vermeer. I found this book undeniably slow to get going. The details of Patricia's relationship with her cousin Mickey were not especially interesting. What was interesting was how an unassuming professor came to find herself in the midst of an international art heist. For as exciting as this book should have been, it simply was not. The characters were not especially well-developed, and were not always believable. The most interesting entity in this book is the painting, The Music Lesson. Perhaps this is intentional. The best-expressed emotion in this book is Patricia's love for the painting. The final, dramatic ending is the highlight of the book. Getting there, however, is slow going.
This novel tells the story of the four Season sisters . When they gather for youngest sister Merry's funeral they are presented with the chance to confront a family secret that has festered for nearly thirty years. As they gather for the funeral each of the Season sisters is awash in her own problems. Investigating an old family secret gives them the opportunity to face their own demons, as well as to fulfill Merry's dying wish. If the plot sounds a bit hackneyed, that's because it is. The plot is entirely predictable. At no point was I surprised, and I saw the end coming from a mile away. The writing is also clunky. The prose is littered with excess detail, which serves no real purpose. Ultimately this book was far too predictable and sentimental to be enjoyable.